Lapody: Difference between revisions

Line 93:

==Culture==

The culture of Lapody comprises the shared traditons, practices, and worldview of the people of Lapody. Lapodian identity emergence is a complex process which has embraced several antecedents - namely the culture and power of the 17th and 18th century state of Verecundia. Lapods generally do not see Lapody as a new entity or their nationality as a new one. Many scholars have observed what they refer to as the "Fusion Theory", namely that Lapodard-speaking areas were fused to the traditional lands of Verecundia to establish what is, ultimately, an enhanced Verecundian state. Accordingly, many Lapods not only now view the concept of a [[Derian identity]] as antiquated, but the most patriotic elements of Lapodian society view it as ultimately offensive and a historical distraction that prevented Lapodard-speakers from claiming from their nation's true heritage.

The culture of Lapody comprises the shared traditons, practices, and worldview of the people of Lapody. Lapodian identity emergence is a complex process which has embraced several antecedents - namely the culture and power of the 17th and 18th century state of Verecundia. Lapods generally do not see Lapody as a new entity or their nationality as a new one. Many scholars have observed what they refer to as the "Fusion Theory", namely that Lapodard-speaking areas were fused to the traditional lands of Verecundia to establish what is, ultimately, an enhanced Verecundian state. Accordingly, many Lapods not only now view the concept of a [[Derian identity]] as antiquated, but the most patriotic elements of Lapodian society view it as ultimately offensive and a historical distraction that prevented Lapodard-speakers from claiming from their nation's true heritage. Within this framework, the partition of Verecundia in the 1740s was the great catastrophic event, forever altering the trajectory of the Lapodard people and occurring commonly throughout Lapodard culture as a referenced motif. Most surveys find that a majority, but not all Lapods, are believers of the Fusion Theory and its associated Verecundian historiography. Support for the idea is weakest in former Vorenia which established its own unique history throughout the 19th and 20th centuries. Regardless of one's view of Verecundian historiography, the shared Lapodard language is often cited as the critical unifying element of Lapodian culture, linking the three former constituent countries in addition to any long-term shared heritage. Prior to unification, scholars referred to Lapodard-speaking peoples as part of the "Middle Deric culture", a historiographical term emphasizing the shared traditions of these people as opposed to the Lower Deric ([[Burgundie|Burgoignesc]]) and Upper Deric ([[Rhotia]]n) cultures. This historiography is disputed by some ultranationalist thinkers in Lapodian society, who instead point to a preexistent "Verecundian spirit".

Lapods are united by a strong martial tradition, with many Lapods viewing their country as the inheritor of the military legacies of Vorenia and Verecundia.

===Cuisine===

===Music===

[[File:JohannesBrahms.jpg|thumbnail|350px|right|Kovalenko Nil Yakovich]]

Lapodian music is exceptionally varied, boasting some of the more notable composers, singers, producers and performers in [[Levantia]] and indeed the world. Much of Lapody's musical heritage descends from the Verecundian heritage, which experienced a cultural golden age in the early 18th century.

{{wpl|Classical music}}, largely based about piano solos and full orchestras, is characterized by the use of large amounts of string instruments, such as the {{wpl|violin}}, {{wpl|viola}}, and {{wpl|cello}}, employing them in vast, interlaying groups to achieve a sweeping sense, as well as being characterized by the use of choirs in a low {{wpl|baritone}} and {{wpl|bass}} voice as accompaniment to percussion instruments. Classical music was heavily patronized in the era of the Grand Duchy of Verecundia, and throughout the Lapodard-speaking lands, major orchestras became commonplace among the courts of the Lapodard counts and dukes. Such orchestras were often intertwined with a {{wpl|ballard}} style, describing events in the country's history through the use of intense or less intense music depending on the actions at work, though some would employ conventional lyrics for the choirs. Lapodian orchestras in this form would be noted as exceptionally fast paced, to some contemporaries “violent in nature”, with a minority employing such things as rifle fire for use in place of the {{wpl|snare drum}} and even field artillery. Kovalenko Nil Yakovich, a Helvanic immigrant, would be infamous for his first unveiling of this style to an unwitting audience in 1830. During the [[Second Great War]], formats such as the {{wpl|string quartet}}, {{wpl|symphony}}, and {{wpl|sonata}} would also rise in popularity along front lines of conflict, with amateur soldiers playing for their fellows. Such music would naturally be of peace, home, and women. More modern, conventional arrays for orchestra have risen in popularity since the 1970s, though traditional Lapodian {{wpl|classical music}} continues to be notable worldwide.

{{wpl|Folk music}} within Lapody can trace its roots back to the Medieval period. These songs are rarely authentically tied to traditional folk music, being sunny and optimistic in nature. Many songs hold their roots in the Confederacy and Great War periods, being full of language with political activism on both sides of the fence, as well as realistic joy, sadness and passion. Such songs may be in the format of {{wpl|work songs}} with a varied chorus as well as a simple beat, having their roots in the coal and fishing industries. As a result, such songs often focused upon the hard work itself, some positive upon this with pride in that work while others were negative, portraying foremen as slave drivers and businessmen as peddlers of misery. Such songs were, by their nature, extremely inflammatory at the time and still are today, being associated with {{wpl|labor strikes}} and the resulting riots. Democracy-oriented songs, as well as advocates for Catholic themes, also experienced a rise in popularity during the [[Second Great War]] period and as such are tied to it even today. Modern {{wpl|folk music}} often distances itself from politically or historically sensitive topics, instead focusing on either common messages such as loved ones and quiet death or upon romanticizing earlier periods in Lapody's history, such as the periods prior to Marisia. Historical folk songs are, by that nature, rarely sung for public audience.

Today, modern popular music from Lapody experiences only limited success abroad, with most tours only moving about [[Levantia]] itself. Those with the greatest success are Lapodian heavy metal bands, a good portion of which may be characterized by the use of traditional musical instrumentation along with a rapid pacing and roaring lyrics. This type has been described by some as {{wpl|medieval metal}}, with woodwind instruments, the {{wpl|hurdy-gurdy}}, and {{wpl|bagpipes}} being often times present. Synthesizers and computers are also used. The lyrics in this genre are well known for its morbid, provocative lyrical themes and dark humor often centering about homelessness, war, poverty, and drug use, as well as in its earliest years the potential for {{wpl|nuclear holocaust}} such as “Jedna Sekunda do Północy” (One Second to Midnight) by the band Rolling Thunder. Such bands have niche audiences in [[Fiannria]] and [[Urcea]].

===Architecture===

[[File:Indianapolis Horizon.jpg|thumbnail|350px|right|Skyline of Miden]]

Architecture in Lapody is varied by geography and due to the constantly shifting history of the nation. As a result of this, nearly the whole of [[Levantia|Levantine]] architecture styles can be seen in the nation, though for the most part these are isolated in certain portions of the country.

In the lowlands, due to the population densities present as well as the rapid expansion following the [[Second Great War]], the vast majority of buildings are in the 1950s block format, with concrete being the primary building material. Buildings are on average more than ten floors tall with maximum height at 312 m (1023.62 ft) with the Złota 12 skyscraper in Giradava province. Buildings may extend down below the surface to a maximum of twelve stories, with underground ‘streets’ providing for a grid pattern. {{wpl|Arches}} for these underground streets are common in order to provide support, as are large ventilation pillars to provide clean oxygen. Public transportation in the city is exceptionally common, with rail lines connected to vertical centralized stations enabling rapid movement. The lowest levels for these stations, as well as many buildings, are usually set aside as bomb shelters, emergency generators, and to a minor degree emergency storerooms for nonperishable food. On the surface, some cities play host to older structures with churches in the {{wpl|log house|horizontal log technique}} being relatively common alongside {{wpl|Romanesque architecture|classical architecture}}. Early {{wpl|baroque}} buildings can be seen in some cities, such as Miden, but are exceptionally uncommon. As a direct result of the nature for these cities, areas are portioned off physically with sector walls, gates, and independentally operating air filtration systems in guarding against biological attack. They have, as one visiting Yytusche said, become vaults, though many critics liken the unique Lapodian sprawls to rat mazes.

In the rural areas of the country, most buildings are still constructed in the earlier styles with wood being the primary material. {{wpl|Manor houses of Polish nobility|Manor houses}} (''dworek'') can be seen often in smaller towns as centralized places, doubling for many as businesses, restaurants, inns, or public community centers. Larger {{wpl|farmhouses}} can be seen in the countryside. {{wpl|Romanesque architecture|Classical architecture}} can be seen in various fortifications from the Marisian period, such as Bochnia Castle in Přítovy province which dates to 1470. Some few examples of {{wpl|log house|horizontal log technique}} construction can be seen in churches, though due to history these are less common.

Older styles can be seen in the mountainous parts of the country, such as Warbrzeg, with the {{wpl|neoclassical architecture|Warbrzegi architecture}} style being named for the buildings therein. Largely drawing inspiration from the older periods, these buildings were constructed mostly in the 1910s. They are largely communal, with three story buildings for multiple families being common. They are largely characterized by gently sloping roofs and wide and well-supported eaves set at right angles to the front of the house. In addition to this, some churches exist since the earliest years of the country, built in {{wpl|mountain castles|mountainside alcoves}}. The earliest example of these would be Gdańsk Church. Estimated to have been built originally in 27 CE and rebuilt in the 9th Century, is still in active operation due to its stone construction. Many other buildings are constructed partially or even totally into the ground in order to resist the constant winds.

~~Prior to unification~~, ~~scholars referred to Lapodard-speaking peoples as part~~ of the ~~"Middle Deric culture"~~, a ~~historiographical term emphasizing the shared traditions of these people as opposed~~ to the ~~Lower Deric (~~[[~~Burgundie|Burgoignesc~~]]) and ~~Upper Deric ([[Rhotia]]n) cultures~~. ~~This historiography is disputed by some ultranationalist thinkers~~ in ~~Lapodian society~~, ~~who instead point to a preexistent "Verecundian spirit"~~.

On the island portions of the country, construction reflects an entirely different style with the vast majority of buildings originating during the Reconstructionist period. As such, they are characterized by a stark utilitarianism often ascribed to the [[Kilikas Brutalism]] movement, with the primary concern for most architects being efficiency, simplicity in construction, and ease of maintenance. As a direct result, however, these buildings are far simpler in outer appearance than their mainland cousins. Most settlements are in confined, urban sprawls for simpler power grids, water systems, and other utilities.

~~===Cuisine===~~

== Demographics ==

@@ Line 93: / Line 93: @@
 ==Culture==
-The culture of Lapody comprises the shared traditons, practices, and worldview of the people of Lapody. Lapodian identity emergence is a complex process which has embraced several antecedents - namely the culture and power of the 17th and 18th century state of Verecundia. Lapods generally do not see Lapody as a new entity or their nationality as a new one. Many scholars have observed what they refer to as the "Fusion Theory", namely that Lapodard-speaking areas were fused to the traditional lands of Verecundia to establish what is, ultimately, an enhanced Verecundian state. Accordingly, many Lapods not only now view the concept of a [[Derian identity]] as antiquated, but the most patriotic elements of Lapodian society view it as ultimately offensive and a historical distraction that prevented Lapodard-speakers from claiming from their nation's true heritage.
+The culture of Lapody comprises the shared traditons, practices, and worldview of the people of Lapody. Lapodian identity emergence is a complex process which has embraced several antecedents - namely the culture and power of the 17th and 18th century state of Verecundia. Lapods generally do not see Lapody as a new entity or their nationality as a new one. Many scholars have observed what they refer to as the "Fusion Theory", namely that Lapodard-speaking areas were fused to the traditional lands of Verecundia to establish what is, ultimately, an enhanced Verecundian state. Accordingly, many Lapods not only now view the concept of a [[Derian identity]] as antiquated, but the most patriotic elements of Lapodian society view it as ultimately offensive and a historical distraction that prevented Lapodard-speakers from claiming from their nation's true heritage. Within this framework, the partition of Verecundia in the 1740s was the great catastrophic event, forever altering the trajectory of the Lapodard people and occurring commonly throughout Lapodard culture as a referenced motif. Most surveys find that a majority, but not all Lapods, are believers of the Fusion Theory and its associated Verecundian historiography. Support for the idea is weakest in former Vorenia which established its own unique history throughout the 19th and 20th centuries. Regardless of one's view of Verecundian historiography, the shared Lapodard language is often cited as the critical unifying element of Lapodian culture, linking the three former constituent countries in addition to any long-term shared heritage. Prior to unification, scholars referred to Lapodard-speaking peoples as part of the "Middle Deric culture", a historiographical term emphasizing the shared traditions of these people as opposed to the Lower Deric ([[Burgundie|Burgoignesc]]) and Upper Deric ([[Rhotia]]n) cultures. This historiography is disputed by some ultranationalist thinkers in Lapodian society, who instead point to a preexistent "Verecundian spirit".
 Lapods are united by a strong martial tradition, with many Lapods viewing their country as the inheritor of the military legacies of Vorenia and Verecundia.
+===Cuisine===
+===Music===
+[[File:JohannesBrahms.jpg|thumbnail|350px|right|Kovalenko Nil Yakovich]]
+Lapodian music is exceptionally varied, boasting some of the more notable composers, singers, producers and performers in [[Levantia]] and indeed the world. Much of Lapody's musical heritage descends from the Verecundian heritage, which experienced a cultural golden age in the early 18th century.
+{{wpl|Classical music}}, largely based about piano solos and full orchestras, is characterized by the use of large amounts of string instruments, such as the {{wpl|violin}}, {{wpl|viola}}, and {{wpl|cello}}, employing them in vast, interlaying groups to achieve a sweeping sense, as well as being characterized by the use of choirs in a low {{wpl|baritone}} and {{wpl|bass}} voice as accompaniment to percussion instruments. Classical music was heavily patronized in the era of the Grand Duchy of Verecundia, and throughout the Lapodard-speaking lands, major orchestras became commonplace among the courts of the Lapodard counts and dukes. Such orchestras were often intertwined with a {{wpl|ballard}} style, describing events in the country's history through the use of intense or less intense music depending on the actions at work, though some would employ conventional lyrics for the choirs. Lapodian orchestras in this form would be noted as exceptionally fast paced, to some contemporaries “violent in nature”, with a minority employing such things as rifle fire for use in place of the {{wpl|snare drum}} and even field artillery. Kovalenko Nil Yakovich, a Helvanic immigrant, would be infamous for his first unveiling of this style to an unwitting audience in 1830. During the [[Second Great War]], formats such as the {{wpl|string quartet}}, {{wpl|symphony}}, and {{wpl|sonata}} would also rise in popularity along front lines of conflict, with amateur soldiers playing for their fellows. Such music would naturally be of peace, home, and women. More modern, conventional arrays for orchestra have risen in popularity since the 1970s, though traditional Lapodian {{wpl|classical music}} continues to be notable worldwide.
+{{wpl|Folk music}} within Lapody can trace its roots back to the Medieval period. These songs are rarely authentically tied to traditional folk music, being sunny and optimistic in nature. Many songs hold their roots in the Confederacy and Great War periods, being full of language with political activism on both sides of the fence, as well as realistic joy, sadness and passion. Such songs may be in the format of {{wpl|work songs}} with a varied chorus as well as a simple beat, having their roots in the coal and fishing industries. As a result, such songs often focused upon the hard work itself, some positive upon this with pride in that work while others were negative, portraying foremen as slave drivers and businessmen as peddlers of misery. Such songs were, by their nature, extremely inflammatory at the time and still are today, being associated with {{wpl|labor strikes}} and the resulting riots. Democracy-oriented songs, as well as advocates for Catholic themes, also experienced a rise in popularity during the [[Second Great War]] period and as such are tied to it even today. Modern {{wpl|folk music}} often distances itself from politically or historically sensitive topics, instead focusing on either common messages such as loved ones and quiet death or upon romanticizing earlier periods in Lapody's history, such as the periods prior to Marisia. Historical folk songs are, by that nature, rarely sung for public audience.
+Today, modern popular music from Lapody experiences only limited success abroad, with most tours only moving about [[Levantia]] itself. Those with the greatest success are Lapodian heavy metal bands, a good portion of which may be characterized by the use of traditional musical instrumentation along with a rapid pacing and roaring lyrics. This type has been described by some as {{wpl|medieval metal}}, with woodwind instruments, the {{wpl|hurdy-gurdy}}, and {{wpl|bagpipes}} being often times present. Synthesizers and computers are also used. The lyrics in this genre are well known for its morbid, provocative lyrical themes and dark humor often centering about homelessness, war, poverty, and drug use, as well as in its earliest years the potential for {{wpl|nuclear holocaust}} such as “Jedna Sekunda do Północy” (One Second to Midnight) by the band Rolling Thunder. Such bands have niche audiences in [[Fiannria]] and [[Urcea]].
+===Architecture===
+[[File:Indianapolis Horizon.jpg|thumbnail|350px|right|Skyline of Miden]]
+Architecture in Lapody is varied by geography and due to the constantly shifting history of the nation. As a result of this, nearly the whole of [[Levantia|Levantine]] architecture styles can be seen in the nation, though for the most part these are isolated in certain portions of the country.
+In the lowlands, due to the population densities present as well as the rapid expansion following the [[Second Great War]], the vast majority of buildings are in the 1950s block format, with concrete being the primary building material. Buildings are on average more than ten floors tall with maximum height at 312 m (1023.62 ft) with the Złota 12 skyscraper in Giradava province. Buildings may extend down below the surface to a maximum of twelve stories, with underground ‘streets’ providing for a grid pattern. {{wpl|Arches}} for these underground streets are common in order to provide support, as are large ventilation pillars to provide clean oxygen. Public transportation in the city is exceptionally common, with rail lines connected to vertical centralized stations enabling rapid movement. The lowest levels for these stations, as well as many buildings, are usually set aside as bomb shelters, emergency generators, and to a minor degree emergency storerooms for nonperishable food. On the surface, some cities play host to older structures with churches in the {{wpl|log house|horizontal log technique}} being relatively common alongside {{wpl|Romanesque architecture|classical architecture}}. Early {{wpl|baroque}} buildings can be seen in some cities, such as Miden, but are exceptionally uncommon. As a direct result of the nature for these cities, areas are portioned off physically with sector walls, gates, and independentally operating air filtration systems in guarding against biological attack. They have, as one visiting Yytusche said, become vaults, though many critics liken the unique Lapodian sprawls to rat mazes.
+In the rural areas of the country, most buildings are still constructed in the earlier styles with wood being the primary material. {{wpl|Manor houses of Polish nobility|Manor houses}} (''dworek'') can be seen often in smaller towns as centralized places, doubling for many as businesses, restaurants, inns, or public community centers. Larger {{wpl|farmhouses}} can be seen in the countryside. {{wpl|Romanesque architecture|Classical architecture}} can be seen in various fortifications from the Marisian period, such as Bochnia Castle in Přítovy province which dates to 1470. Some few examples of {{wpl|log house|horizontal log technique}} construction can be seen in churches, though due to history these are less common.
+Older styles can be seen in the mountainous parts of the country, such as Warbrzeg, with the {{wpl|neoclassical architecture|Warbrzegi architecture}} style being named for the buildings therein. Largely drawing inspiration from the older periods, these buildings were constructed mostly in the 1910s. They are largely communal, with three story buildings for multiple families being common. They are largely characterized by gently sloping roofs and wide and well-supported eaves set at right angles to the front of the house. In addition to this, some churches exist since the earliest years of the country, built in {{wpl|mountain castles|mountainside alcoves}}. The earliest example of these would be Gdańsk Church. Estimated to have been built originally in 27 CE and rebuilt in the 9th Century, is still in active operation due to its stone construction. Many other buildings are constructed partially or even totally into the ground in order to resist the constant winds.
-Prior to unification, scholars referred to Lapodard-speaking peoples as part of the "Middle Deric culture", a historiographical term emphasizing the shared traditions of these people as opposed to the Lower Deric ([[Burgundie|Burgoignesc]]) and Upper Deric ([[Rhotia]]n) cultures. This historiography is disputed by some ultranationalist thinkers in Lapodian society, who instead point to a preexistent "Verecundian spirit".
+On the island portions of the country, construction reflects an entirely different style with the vast majority of buildings originating during the Reconstructionist period. As such, they are characterized by a stark utilitarianism often ascribed to the [[Kilikas Brutalism]] movement, with the primary concern for most architects being efficiency, simplicity in construction, and ease of maintenance. As a direct result, however, these buildings are far simpler in outer appearance than their mainland cousins. Most settlements are in confined, urban sprawls for simpler power grids, water systems, and other utilities.
-===Cuisine===
 == Demographics ==

Lapody: Difference between revisions

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