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Arts and literature of Urcea: Difference between revisions
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The history of Urcean visual art is part of Levantine painting history. [[Levantina|Levantine art]] was influenced by earlier [[Adonerum|Adonerii]] civilization and can in part be taken as a descendant thereof. However, Levantine painting does have important unique characteristics. Such painting can be grouped into 4 main "styles" or periods, and may contain the first examples of trompe-l'œil, pseudo-perspective, and pure landscape. | The history of Urcean visual art is part of Levantine painting history. [[Levantina|Levantine art]] was influenced by earlier [[Adonerum|Adonerii]] civilization and can in part be taken as a descendant thereof. However, Levantine painting does have important unique characteristics. Such painting can be grouped into 4 main "styles" or periods, and may contain the first examples of trompe-l'œil, pseudo-perspective, and pure landscape. | ||
[[File:Cole Thomas Expulsion from the Garden of Eden 1828.jpg|200px|left|Expulsion from the Garden of Eden (1828) by [[Thomas Comhale]], Urcea's foremost Romantic painter]] | [[File:Cole Thomas Expulsion from the Garden of Eden 1828.jpg|200px|left|thumb|Expulsion from the Garden of Eden (1828) by [[Thomas Comhale]], Urcea's foremost Romantic painter]] | ||
Panel painting became more common during the Levanesque period, under the heavy influence of [[Istroyan]] icons. Towards the middle of the 13th century, Medieval art and Gothic painting became more realistic, with the beginnings of interest in the depiction of volume and perspective in Urcea. From then on, the treatment of composition by the best painters also became much more free and innovative. | Panel painting became more common during the Levanesque period, under the heavy influence of [[Istroyan]] icons. Towards the middle of the 13th century, Medieval art and Gothic painting became more realistic, with the beginnings of interest in the depiction of volume and perspective in Urcea. From then on, the treatment of composition by the best painters also became much more free and innovative. | ||