User:Kir/Vape Dojo: Difference between revisions

Tag: 2017 source edit
Tag: 2017 source edit
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In modern Kiravia, an ''inkuv'' is a {{wp|rest stop|highway rest stop}} or {{wp|travel plaza}}, though often with features and amenities that hearken back to earlier ''inkuya''. ''Inkuya'' along modern Kiravian interstate highways typically include a small nondenominational {{wp|chapel}}.
In modern Kiravia, an ''inkuv'' is a {{wp|rest stop|highway rest stop}} or {{wp|travel plaza}}, though often with features and amenities that hearken back to earlier ''inkuya''. ''Inkuya'' along modern Kiravian interstate highways typically include a small nondenominational {{wp|chapel}}.


==Hekuvihírsda==
==Hekuvihírsa==
The '''''Hekuvihírsda''''' (English: "Caphirian story"), sometimes known in English as '''Kiro-Hekuvian Gothic''' is a literary and theatrical {{wp|genre fiction|fiction genre}} that flourished in [[Kiravia|Kirav]] during the XYZth and XYƔth centuries. Though written in Kiravia by Kiravians, the stories were set in [[Caphiria]] during various phases of its history, and followed casts of Caphirian characters. Common themes in ''Hekuvihírsda'' included sensuality, political and familial intrigue, luxury and opulence, ambition, and revenge.
The '''''Hekuvihírsa''''' (English: "Caphirian story"), sometimes known in English as '''Kiro-Hekuvian Gothic''' is a literary and theatrical {{wp|genre fiction|fiction genre}} that flourished in [[Kiravia|Kirav]] during the XYZth and XYƔth centuries. Though written in Kiravia by Kiravians, the stories were set in [[Caphiria]] during various phases of its history, and followed casts of Caphirian characters. Common themes in ''Hekuvihírsa'' included sensuality, political and familial intrigue, luxury and opulence, ambition, and revenge.


Caphiria and Kiravia have a long history of commercial, cultural, and diplomatic exchange. One effect of this long history of interaction has been a lasting impression in the Kiravian collective psyche of Caphiria as a warm, exotic country filled with fine cuisine, art, and architecture, and a more sensual and Epicurian culture that contrasts with the colder, greyer climate of [[Great Kirav]] and its more stoic and melancholic cultural ethos.
Caphiria and Kiravia have a long history of commercial, cultural, and diplomatic exchange. One effect of this long history of interaction has been a lasting impression in the Kiravian collective psyche of Caphiria as a warm, exotic country filled with fine cuisine, art, and architecture, and a more sensual and Epicurian culture that contrasts with the colder, greyer climate of [[Great Kirav]] and its more stoic and melancholic cultural ethos.


===Themes===
===Themes===
According to Antiquarius Paravakonen, Distinguished Lecturer in Early Modern Coscivian Literature at X University in [[Primóra]], the only essential characteristics of a ''Hekuvihírsda'' are that the work must be fictitious, composed in the [[Coscivian civlization|Coscosphere]] between 2XXXX and 2XXXX, and set primarily in Caphiria with a focus on Caphirian characters. However, he notes that there are several {{wp|genre conventions}} that came to define the ''Hekuvihírsda'', and that adherence to these conventions became more uniform with the passage of time.  
According to Antiquarius Paravakonen, Distinguished Lecturer in Early Modern Coscivian Literature at X University in [[Primóra]], the only essential characteristics of a ''Hekuvihírsa'' are that the work must be fictitious, composed in the [[Coscivian civlisation|Coscosphere]] between 2XXXX and 2XXXX, and set primarily in Caphiria with a focus on Caphirian characters. However, he notes that there are several {{wp|genre conventions}} that came to define the ''Hekuvihírsa'', and that adherence to these conventions became more uniform with the passage of time.  


Although most ''Hekuvihírsda'' take place roughly around the times that they were written, a large number take place during earlier phases of Caphirian history, particularly in Ancient Caphiria.
Although most ''Hekuvihírsa'' take place roughly around the times that they were written, a large number take place during earlier phases of Caphirian history, particularly in Ancient Caphiria. Some downmarket volumes from the genre's later phases are so thoroughly anachronistic that it is impossible to determine when they are supposed to take place.


Large casts of characters with many conflicting interests and interlocking subplots.
*Large casts of characters with many conflicting interests and interlocking subplots.
Characters almost always élites.
*Characters almost always élites.
Moral ambiguity
*Moral ambiguity


Intrigue (political and familial)
Themes:
Family ties, feuds, and honour
*Intrigue (political and familial)
Carnal pleasure
*Family ties, feuds, and honour
"Latin grandeur"
*Carnal pleasure
Detailed and thicc descriptions of food, wine, architecture, settings, clothing, and bitches.
*"Latin grandeur"
Nobility, station, and ''ordo''
*Detailed and thicc descriptions of food, wine, architecture, settings, clothing, and bitches.
Ambition and ''virtú''.
*Nobility, station, and ''ordo''
*Ambition and ''virtú''.


Dialogue peppered with untranslated [[Caphiric Latin]] words and phrases.
Dialogue peppered with untranslated [[Caphiric Latin]] words and phrases.


===Accuracy and Distinguishing Features===
===Accuracy and Distinguishing Features===
According to Paravakonen in his monograph ''The "I've Never Been To Heku But This Is What It's Like" Starterpack'' very few authors of ''Hekuvihírsda'' had ever visited Caphiria themselves. As such, their impressions of Caphiria and its culture were drawn mainly from second- and third-hand accounts, encounters with Caphirian cultural imports, popular history, and other literature. As such, portrayals of Caphiria in these stories typically contain a large number of inaccuracies, many of which would have been readily apparent to Caphirians or to Kiravians personally familiar with Caphiria. Paravakonen has advanced the claim that around the peak of the genre's popularity, most new authors entering the genre were basing their understanding of the country primarily on other ''Hekuvihírsda'', which had the effect of magnifying certain inaccuracies.
According to Paravakonen in his monograph ''The "I've Never Been To Heku But This Is What It's Like" Starterpack'' very few authors of ''Hekuvihírsa'' had ever visited Caphiria themselves. As such, their impressions of Caphiria and its culture were drawn mainly from second- and third-hand accounts, encounters with Caphirian cultural imports, popular history, and other literature. As such, portrayals of Caphiria in these stories typically contain a large number of inaccuracies, many of which would have been readily apparent to Caphirians or to Kiravians personally familiar with Caphiria. Paravakonen has advanced the claim that around the peak of the genre's popularity, most new authors entering the genre were basing their understanding of the country primarily on other ''Hekuvihírsa'', which had the effect of magnifying certain inaccuracies. Higher-quality and better-researched ''hekuvihírsa'' have fewer and less glaring factual inaccuracies than their downmarket cousins, but also intentionally emphasise elements of Caphirian culture that Kiravian audiences would find exotic and captrivations, to the effect of departing from realism. At the same time, many stories also contain unconscious impositions of Coscivian culture where audiences are unaware of differing customs in Caphiria.  


===Influence on Kiravian Culture===
===Influence on Kiravian Culture===
One enduring and visible influence of ''Hekuvihírsda'' on Kiravian culture has been the proliferation of pseudo-Latin given names among Kiravians. Latin and Latinised Greek names, particularly of Biblical, hagiographic, or otherwise religious connotations, had already gradually been adopted over time as Christianity spread among Coscivians, and a trend toward more overtly Latinate versions of extant Gaelicised or Coscivised Latin names (e.g. ''Páulus'' over ''Pálur'' or ''Páv'') accelerated with the growth of Catholicism. However, it appears that ''Hekuvihírsda'' contibuted to the widespread adoption of Latin-''sounding'' names that did not actually exist in Caphiria or any other Latin-speaking culture, such as ''Barcivius'' and ''Demarius''. As discussed above, many ''Hekuvihírsda'' authors did not have a deep knowledge of Caphirian culture, nor did most of their target audience. As such, many, especially toward the later half of the genre's heyday, incorrectly extrapolated Caphirian names from names in modern Levantine languages (e.g. Gerry → Jerrus, or more ridiculously Dilbert → Dilbertarianus), composed novel and often nonsensical names from Latin roots (e.g. Calecanus, Superfixarius), or simply made them up (e.g. Barkivius, Hughtavius, Arrhenius). A great many pseudo-Latin names used in these works were assumed to be legitimate Latin names and were given to children by Kiravian readers, and a large number remain in use today. This has no doubt influenced the continuing practice among many Kiravians (particularly the less-educated classes), to form new names by slapping ''-us'' or ''-ia'' to the end of any old thing.
One enduring and visible influence of ''Hekuvihírsa'' on Kiravian culture has been the proliferation of pseudo-Latin given names among Kiravians. Latin and Latinised Greek or Semitic names, particularly of Biblical, hagiographic, or otherwise religious connotations, had already gradually been adopted over time as Christianity spread among Coscivians, and a trend toward more overtly Latinate versions of extant Gaelicised or Coscivised Latin names (e.g. ''Páulus'' over ''Pálur'' or ''Páv'') accelerated with the growth of Catholicism. However, it appears that ''Hekuvihírsa'' contibuted to the widespread adoption of Latin-''sounding'' names that did not actually exist in Caphiria or any other Latin-speaking culture, such as ''Barcivius'' and ''Demarius''. As discussed above, many ''Hekuvihírsa'' authors did not have a deep knowledge of Caphirian culture, nor did most of their target audience. As such, many, especially toward the later half of the genre's heyday, incorrectly extrapolated Caphirian names from names in modern Levantine languages (e.g. Gerry → Jerrus, or more ridiculously Dilbert → Dilbertarianus), composed novel and often nonsensical names from Latin roots (e.g. Calecanus, Superfixarius), or simply made them up (e.g. Barkivius, Hughtavius, Arrhenius). A great many pseudo-Latin names used in these works were assumed to be legitimate Latin names and were given to children by Kiravian readers, and a large number remain in use today. This has no doubt influenced the continuing practice among many Kiravians (particularly the less-educated classes), to form new names by slapping ''-us'' or ''-ia'' to the end of any old thing.


====Neo-Hekuvihírsda====
====Neo-Hekuvihírsa====
Although the classic ''Hekuvihírsda'' genre declined in the 2XXXXs and new publications following the genre's conventions had ceased by 2XXXX, its influence has lived on. Television critic Netflixicus Thérafolon, himself named after a minor character from an obscure ''Hekuvihírsda'' novel, has identified a contemporary reincarnation of the genre in several Kiravian-produced corporate dramas, as well as the novel ''Crazy Rich Latins'', which may be set in present-day Caphiria, the [[Tryhstian Littoral]], or the [[Melian Isles]], and often centre around business enterprises from or doing business with Caphiria. Although these recent works differ from their predecessors in having a less exoticist and more factually accurate depiction of Caphiria and Caphirians, their Thérafolon argues that their plot structure and thematic elements recall the ''Hekuvihírsda'' of yore.   
Although the classic ''Hekuvihírsa'' genre declined in the 2XXXXs and new publications following the genre's conventions had ceased by 2XXXX, its influence has lived on. Television critic Netflixicus Thérafolon, himself named after a minor character from an obscure ''Hekuvihírsa'' novel, has identified a contemporary reincarnation of the genre in several Kiravian-produced corporate dramas, as well as the novel ''Crazy Rich Latins'', which may be set in present-day Caphiria, the [[Tryhstian Littoral]], or the [[Melian Isles]], and often centre around business enterprises from or doing business with Caphiria. Although these recent works differ from their predecessors in having a less exoticist and more factually accurate depiction of Caphiria and Caphirians, their Thérafolon argues that their plot structure and thematic elements recall the ''Hekuvihírsa'' of yore.   


Similarly, the Kiravian web original series ''Ancient Heku: Blood and Lust'', while aiming for a high degree of historical accuracy, has been said to have strong stylistic similarities with ''Hekuvihírsda''.
Similarly, the Kiravian web original series ''Ancient Heku: Blood and Lust'', while aiming for a high degree of historical accuracy, has been said to have strong stylistic similarities with ''Hekuvihírsa''.


==Disurbanism==
==Disurbanism==