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Culture in Burgundie: Difference between revisions
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===Kilikas Brutalism=== | ===Kilikas Brutalism=== | ||
{{Main|Kilikas Brutalism}} | {{Main|Kilikas Brutalism}} | ||
===Neo- | ===Neo Beaux-Arts=== | ||
The Neo Beaux-Arts architectural style emerged in the late 19th century as a revival of the principles and aesthetics of the Beaux-Arts architecture that originated in the [[Holy Levantine Empire]] during the 17th century. This architectural movement, characterized by grandeur, classical elements, and a commitment to symmetry, played a significant role in shaping the design of public buildings, institutions, and cultural centers during the late 19th and early 20th centuries. | |||
Key features: | |||
*Neo Beaux-Arts architecture is deeply rooted in classical architecture, drawing inspiration from ancient [[Istroyan]] and [[Latinic]] design. Buildings in this style often feature elements such as columns, pilasters, pediments, and porticos, echoing the proportions and ornamentation of classical temples and structures. | |||
*Symmetry is a hallmark of Neo Beaux-Arts architecture. Buildings are typically designed with a central axis and a balanced arrangement of architectural elements on either side. This emphasis on symmetry creates a sense of harmony and order. | |||
*Neo Beaux-Arts buildings are known for their rich and intricate ornamentation. Elaborate cornices, friezes, and decorative motifs such as garlands, festoons, and classical sculptures are common. This attention to detail adds to the grandeur of the structures. | |||
*The architectural style incorporates various classical orders, including Doric, Ionic, and Corinthian. These orders dictate the design of columns, capitals, and other architectural elements, lending a sense of historical authenticity. | |||
*Neo Beaux-Arts buildings are often characterized by their monumental scale. They are designed to be imposing and impressive, commanding attention and conveying a sense of importance and civic pride. | |||
*Neo Beaux-Arts architects often adhere to the principles of Beaux-Arts planning, which prioritize axial alignment, hierarchy of spaces, and a clear circulation plan. This approach ensures that the building serves its intended purpose efficiently and elegantly. | |||
*Use of Classical Materials: Neo Beaux-Arts buildings are typically constructed using classical materials such as stone, marble, and terracotta. These materials contribute to the durability and timelessness of the architecture. | |||
The development of Neo Beaux-Arts architecture can be traced back to the École des Beaux-Arts (School of Fine Arts) in [[Vilauristre]], [[Duchy of Bourgondi]], founded in the 17th century. This prestigious institution played a pivotal role in training architects and promoting the Beaux-Arts style. However, the Neo Beaux-Arts style, as it is recognized today, emerged in the late 19th century and gained prominence in [[Burgundie]]. Neo Beaux-Arts architecture reached its zenith during the early 20th century. Many important public buildings and institutions adopted this style, including courthouses, libraries, museums, and government structures. By the mid-20th century, however, architectural trends began to shift away from the classical and ornate Beaux-Arts style. Modernist movements and a preference for simplicity and functionality influenced architectural design. However, elements of Neo Beaux-Arts continued to be incorporated into contemporary buildings, demonstrating the enduring appeal of its classical aesthetics. | |||
===Art Nouveau=== | |||
Main article: [[Art Nouveau in Burgundie]] | |||
Art Nouveau, also known as "New Art," was a highly influential artistic movement that emerged in the late 19th and early 20th centuries, primarily in [[Levantia]]. This movement encompassed various art forms, including architecture, and sought to break away from the rigidity of academic art and embrace more organic, fluid, and ornamental designs. Art Nouveau architecture is characterized by its emphasis on curvilinear forms, intricate detailing, and a fascination with nature and the natural world. | |||
Key features: | |||
*Art Nouveau architecture is renowned for its sinuous and flowing lines. Buildings often feature undulating facades, curved balconies, and organic, plant-like motifs. The use of curves creates a sense of movement and dynamism. | |||
*Elaborate ironwork, often in the form of decorative railings, balconies, and gates, is a hallmark of Art Nouveau architecture. These ironwork elements are typically designed with organic motifs, such as vines, flowers, and leaves, and add a sense of delicate craftsmanship to the buildings. | |||
*Art Nouveau architects drew inspiration from the natural world, incorporating stylized botanical and floral motifs into their designs. These motifs can be found in stained glass windows, ceramic tiles, mosaics, and decorative details throughout buildings. | |||
*Art Nouveau often embraced asymmetry, departing from the strict symmetry of earlier architectural styles. This allowed architects to create dynamic and visually interesting compositions. | |||
*While Art Nouveau architects still employed traditional materials such as stone and brick, they also embraced new materials of the era, including cast iron and reinforced concrete. This flexibility in material usage contributed to the innovative nature of the style. | |||
*Art Nouveau architects believed in the total work of art, where architecture, interior design, and decorative arts were seamlessly integrated. This approach led to the creation of immersive, harmonious environments. | |||
*Art Nouveau buildings often featured facades that were not symmetrical, with irregularly placed windows, entrances, and decorative elements. This asymmetry added to the style's sense of organic and natural flow. | |||
The Art Nouveau movement emerged in the late 19th century and reached its zenith from 1890s to the early 1900s, just as [[Burgundie]] was forming its identify as a nation. The style was perfect for a new nation as it was a reaction against the historicism of the 19th century, which had often copied past architectural styles, like [[Culture in Burgundie#Neo_Beaux-Arts|Neo Beaux Arts]]. Architects and artists of the movement sought to create something entirely new and modern. It also took influence of [[Oyashima]]ese art, particularly ukiyo-e woodblock prints. Artists were captivated by the asymmetry, flowing lines, and emphasis on nature found in [[Oyashima]]ese prints. This sense of internationalism made the new nation feel important, and global, while also recalling the massive [[Burgoignesc colonial empire]]. | |||
===Neo-Art Nouveau=== | |||
===Religious architecture=== | ===Religious architecture=== | ||