Coscivian civilisation: Difference between revisions

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The primary bearers of Coscivian culture throughout history have been the '''Éorsan peoples''', the historic inhabitants of the continent Éorsa where Coscivian civilisation arose. Modern studies of DNA markers have shown that there is significant genetic diversity among Éorsan peoples and considerable variation across different sub-populations. This corroborates with archæological, historical, and mythological/folkloric evidence that...Genetically, the Éorsans are descended from the Cosco-Adrates, the autocthonous P'ter aboriginals of Éorsa whom they culturally assimilated in the process of their westward migration, and - to a much lesser extent - the extinct hominins ''Homo sapiens sariporensis'' and ''Homo vetus montanis''. Upon settling in Éorsa, these Cosco-Adratic peoples began the process of forging Coscivian civilisation's core cultural (monogamy, nesting group identity), philosophical (idealism, monotheism), and political (the Coscivian Empire) foundations, which developed over several milennia before being exported from the continent in the 10th century ''anno Domini''. Today, Éorsan Coscivians constitute the majority in most major Coscivian nations, including Kiravia, and most Coscivian or Coscivised groups of non-Éorsan origin have some degree of Éorsan Coscivian admixture among their populations.
The primary bearers of Coscivian culture throughout history have been the '''Éorsan peoples''', the historic inhabitants of the continent Éorsa where Coscivian civilisation arose. Modern studies of DNA markers have shown that there is significant genetic diversity among Éorsan peoples and considerable variation across different sub-populations. This corroborates with archæological, historical, and mythological/folkloric evidence that...Genetically, the Éorsans are descended from the Cosco-Adrates, the autocthonous P'ter aboriginals of Éorsa whom they culturally assimilated in the process of their westward migration, and - to a much lesser extent - the extinct hominins ''Homo sapiens sariporensis'' and ''Homo vetus montanis''. Upon settling in Éorsa, these Cosco-Adratic peoples began the process of forging Coscivian civilisation's core cultural (monogamy, nesting group identity), philosophical (idealism, monotheism), and political (the Coscivian Empire) foundations, which developed over several milennia before being exported from the continent in the 10th century ''anno Domini''. Today, Éorsan Coscivians constitute the majority in most major Coscivian nations, including Kiravia, and most Coscivian or Coscivised groups of non-Éorsan origin have some degree of Éorsan Coscivian admixture among their populations.


Peoples of non-Éorsan origin who have come to consider themselves Coscivians (and are recognised as such) and participate fully in Coscivian transnational society include the peoples of the Austroventic archipelago (Páuanem, Coldoriem, Kýanem) and Tiluria (Krôsanyem, Díopsem), as well as the Híronem, all of whom have been subject to Coscivian cultural influence and ascendancy for multiple centuries. Certain Kiravite Aboriginal groups, for example the Kheokwém, have adapted their cultures to the Coscivian framework and generally regard themselves as Coscivians, though they continue to speak their traditional languages.
Peoples of non-Éorsan origin who have come to consider themselves Coscivians (and are recognised as such) and participate fully in Coscivian transnational society include the peoples of the Austroventic archipelago (Páuanem, Coldoriem, Kýanem) and Tiluria (Krôsanyem, Díopsem), as well as the Híronem, all of whom have been subject to Coscivian cultural influence and ascendancy for multiple centuries. Certain Kiravite Urom groups, for example the Kheokwém, have adapted their cultures to the Coscivian framework and generally regard themselves as Coscivians, though they continue to speak their traditional languages.


Other groups regarded as "Coscivised" or "quasi-Coscivian" include peoples subject to more recent Coscivisation as a result of Kiravian or Livensólan expansionism include the mixt Éorsan-Funapec ''Isōmiktem'' of [[Oceantropica]] and the ''Coscadem'' of [[Seawind Territory]]. The Ixōllem of the Mixogan highlands have no Éorsan blood to speak of, but have adopted the Coscivian religion [[Ruricanism]] and many other Coscivian customs. Livensólan missionary activity in Usaya has led to the adoption of Coscivian Christianity and Coscivian religions by non-Coscivians, as well as other trappings of Coscivian civilisation such as the Iatic script and calendar. Coscivised natives of Kiravian colonies are usually considered non-Coscivians for official purposes, but occasional exceptions have been made by legislation.
Other groups regarded as "Coscivised" or "quasi-Coscivian" include peoples subject to more recent Coscivisation as a result of Kiravian or Livensólan expansionism include the mixt Éorsan-Funapec ''Isōmiktem'' of [[Oceantropica]] and the ''Coscadem'' of [[Seawind Territory]]. The Ixōllem of the Mixogan highlands have no Éorsan blood to speak of, but have adopted the Coscivian religion [[Ruricanism]] and many other Coscivian customs. Livensólan missionary activity in Usaya has led to the adoption of Coscivian Christianity and Coscivian religions by non-Coscivians, as well as other trappings of Coscivian civilisation such as the Iatic script and calendar. Coscivised natives of Kiravian colonies are usually considered non-Coscivians for official purposes, but occasional exceptions have been made by legislation.
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*Recurring polygonal motifs, especially regular pentagons and octagons, parallelograms, and stars (especially four-pointed) in art and architecture.
*Recurring polygonal motifs, especially regular pentagons and octagons, parallelograms, and stars (especially four-pointed) in art and architecture.
*Several distinctive schools of architecture, most prominently Coscivian Historicism, Coscivian Modernism, and Kiravian Exurbanism.
*Several distinctive schools of architecture, most prominently Coscivian Historicism, Coscivian Modernism, and Kiravian Exurbanism.
*A marked preference for {{wp|skyscapers}} and {{wp|high-rises}} in urban settings, even in areas where economic pressures do not necessarily demand them. This theme of verticality in Coscivian architecture can be traced back to the Inter-Imperial Period, when the mountainous and forested geography of Éorsa gave rise to the construction of {{wp|tower house|towerhouses}} as fortified dwellings. Structures inspired by towerhouses continued to be built through the Second and Third Empires, and became strategically useful during the colonisation of also mountainous and forested [[Great Kirav]] for protection from Aboriginal and [[Cromwelute Wars|Cromwelute]] attacks. Contemporary Kiravian cities and towns tend to be noticeably more vertical than Western settlements of commensurate size, with even rural towns typically having a few blocks of {{wp|low rises|lowrises}}.
*A marked preference for {{wp|skyscapers}} and {{wp|high-rises}} in urban settings, even in areas where economic pressures do not necessarily demand them. This theme of verticality in Coscivian architecture can be traced back to the Inter-Imperial Period, when the mountainous and forested geography of Éorsa gave rise to the construction of {{wp|tower house|towerhouses}} as fortified dwellings. Structures inspired by towerhouses continued to be built through the Second and Third Empires, and became strategically useful during the colonisation of also mountainous and forested [[Great Kirav]] for protection from Urom and [[Cromwelute Wars|Cromwelute]] attacks. Contemporary Kiravian cities and towns tend to be noticeably more vertical than Western settlements of commensurate size, with even rural towns typically having a few blocks of {{wp|low rises|lowrises}}.
*A rich and enduring tradition of engravings, woodcuts, and prints as the leading graphic artform, rather than {{wp|painting}} as in Western culture.
*A rich and enduring tradition of engravings, woodcuts, and prints as the leading graphic artform, rather than {{wp|painting}} as in Western culture.


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